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nihonno

by lomov

supported by
zenbytes
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zenbytes ... still discovering the sounds in this huge release ... I love it - once again great soothing and glitchy tracks from Lomov. Favorite track: norisui.
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1.
aomame 05:00
2.
yuzuku 03:54
3.
edolo 06:13
4.
fugato 04:44
5.
dofuka 04:22
6.
baigate 05:05
7.
suzukami 05:14
8.
hagurazu 04:30
9.
kombanwa 05:34
10.
fugeizu 07:05
11.
kyasatu 08:07
12.
norisui 08:29
13.
ugendo 05:51
14.
shinyito 04:30
15.
iodakuza 04:54
16.
enowako 03:40
17.
oguzen 05:05
18.
shitoio 04:23
19.
eguraze 03:15
20.
shepado 02:59
21.
furikame 05:41
22.
ryunap 04:24
23.
yujikon 05:30
24.
ozugame 04:07
25.
jamashte 05:46
26.
iotashido 04:44
27.
adosuki to 06:26
28.
ito ka nimo 07:04
29.
gooida 05:36
30.
jiuokazi 03:24
31.
ryoen na 05:29
32.
shennoi 04:14
33.
sukutaio 03:42
34.
adosuki 03:40
35.
tomagofuki 04:21
36.
tateikama 04:07
37.
iutome 03:52
38.
inopaku 03:12
39.
zuojimo 04:36
40.
furukuru 06:47
41.
hongaku 05:23
42.
hato no kan 07:47
43.
hiwa 05:23
44.
hun te rhy 03:46
45.
jarhou 05:26
46.
lixiu 06:10
47.
wahi 04:02
48.
uipan 04:28
49.
muibai 05:44

about

Nihonno is a collection of electronic tracks with almost four hours of running time, which were created parallel to my visual work (Instagram: axelbergk). I like listening to them myself while working, but also using random mode on headphones as a sleep music while taking a nap. All tracks were created on the iPad and can best be described as abstract ambient music.

My work approach is a mix of improvisation and random sounds. I make short music snippets of synthesizers and other apps on the iPad, and use the "Borderlands" app's random algorithms to recompose them. The result are tracks that balance on the sheath between wanted and serene. This creates something like an empty middle of the notes, a beginning and end of the things that surround us without naming them. With this I follow a similar approach to sound design as with my visual work, which is also created on the iPad. Similarities in the approach with the Japanese concept of "Wabisabi" or the Chinese "Wuwei" are quite deliberate.

credits

released October 19, 2018

All tracks by Axel Bergk

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lomov Hamburg, Germany

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